Antique Sacred Prints
Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving
42 cm · 16.5 in
26 cm · 10.2 in
Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, view 2

Close-ups

Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, close-up 1Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, close-up 2Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, close-up 3Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, close-up 4Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, close-up 5Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, close-up 6

Framed and on the wall

Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, shown framedBirth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, shown framed on a wall, true to sizeBirth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Rites of the World

Birth and Naming Rituals of the Banians, Rare 1734 Indian Custom Engraving

Anno Domini MDCCXXXIV1734

$250

€220 · £185

Original print, not a reproduction

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Date
1734
Sheet size
16.5 × 10.2 in (42 × 26 cm)
Condition
Good. This print is in fair condition. The impression is sharp and well-defined, with the engraved details still strong. There is foxing throughout the sheet, particularly in the margins, and a stain is visible on the right edge near the lower image.
Faith
Hinduism
Collection
Rites of the World
Era
1700 to 1799, Mortier, Picart and the illustrated Bible
Stock no.
f_45016272

Title: Birth and Naming Rituals of the Banians, Antique 1734 Engraving of Indian Customs

Description:

This rare and evocative copperplate engraving, published in 1734 as part of 'The Ceremonies and Religious Customs of Various Nations of the Known World', offers a striking ethnographic depiction of two important life-cycle rituals among the Banians (an 18th-century European term for certain Hindu merchant castes of India). The plates are drawn and engraved with remarkable care and detail, attributed to Bernard Picart and his studio, and stand out as some of the earliest European visual records of Indian customs.

The upper half of the print is titled "Ceremonie qui s’observe à la Naissance des Enfans chez les Banians" and presents a domestic interior where women and attendants gather around a mother nursing her newborn. The scene is emotionally expressive, showing the child being offered the breast (label A), a child rejecting the breast (label B), and the severe cultural belief at the time that a child who continued to refuse the breast after three days was to be cast into the Ganges (label C), reflecting European interpretations of Indian religious fatalism. A window opens onto a lush tropical landscape, with palm trees and temple architecture hinting at the geographic and cultural setting.

The lower image, "Ceremonie de donner le Nom à un Enfant chez les Banians," depicts the joyous naming ceremony of a child. The infant is laid on a cloth held by multiple children or young attendants, surrounded by adults, including a priestly figure who may be performing rites or announcing the name. A richly adorned interior and an exotic temple landscape outside reinforce the cultural specificity of the scene. Each figure is delicately rendered, and the composition is dynamic and full of life.

Together, the two plates reflect the Enlightenment fascination with documenting the diverse customs of the world through both visual and written means. These engravings are as much artistic as they are anthropological, shaped by a European lens yet providing valuable insight into how non-Western traditions were perceived and portrayed in the early 18th century.

Condition report:

This print is in fair to good condition. The impression is sharp and well-defined, with the engraved details still strong. There is foxing throughout the sheet, particularly in the margins, and a stain is visible on the right edge near the lower image. The paper is otherwise stable and untrimmed, preserving the full original plate mark and margin width.

Framing suggestion:

A double-window mat would work beautifully for this two-image composition, separating and emphasizing each ritual scene. Use an archival cream or soft beige mat to complement the antique tones of the paper, and consider a dark walnut or black wood frame for contrast. For preservation, UV-protective glass and acid-free backing are essential, particularly given the paper's age and evidence of foxing. Displaying this piece as a visual document of cultural history can make it a compelling addition to any ethnographic or art collection.