Antique Sacred Prints
Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734
42 cm · 16.5 in
26 cm · 10.2 in
Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, view 2

Close-ups

Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, close-up 1Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, close-up 2Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, close-up 3Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, close-up 4Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, close-up 5

Framed and on the wall

Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, shown framedReligious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, shown framed on a wall, true to sizeReligious Ceremony of the Inhabitants of the Island of Hispaniola, 1734, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Rites of the World

Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734

Anno Domini MDCCXXXIV1734

$315

€280 · £240

Original print, not a reproduction

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Date
1734
Sheet size
16.5 × 10.2 in (42 × 26 cm)
Condition
Very good overall, with vibrant original hand-coloring and strong impression. Mild toning near the edges and a small crease to the upper right margin, far from the image. The plate retains wide margins and is printed on laid paper.
Faith
Indigenous Americas
Collection
Rites of the World
Era
1700 to 1799, Mortier, Picart and the illustrated Bible
Stock no.
f_45048922

Religious ceremony of the people of Hispaniola, a hand-colored copperplate engraving of 1734 from Les Cérémonies et Coutumes Religieuses de tous les Peuples du Monde, by Bernard Picart (plate numbered 96 at the top). The title is lettered "Cérémonie Religieuse des Habitans de l'Isle Espagnolle".

The scene is set in front of a great arched hut or shelter whose dark interior holds golden idols on a raised stand. Priests or chiefs in feathered headdresses gather before them, and a drummer in the foreground beats a large drum while others kneel, sing or dance. A long procession of figures approaches in the middle distance at the left, and green hills rise behind. The color is applied in soft blues, reds, yellows and green.

Hispaniola was the first Spanish colony in the Americas, and Picart's picture draws on early written accounts of the Taíno there, interpreted through European conventions of theater and costume.