Antique Sacred Prints
View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755
29 cm · 11.4 in
44.6 cm · 17.6 in

Close-ups

View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, close-up 1View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, close-up 2View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, close-up 3View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, close-up 4View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, close-up 5

Framed and on the wall

View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, shown framedView of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, shown framed on a wall, true to sizeView of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Houses of Worship

View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755

Anno Domini MDCCLV1755

$620

€550 · £465

Original print, not a reproduction

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Date
1755
Sheet size
11.4 × 17.6 in (29 × 44.6 cm)
Condition
Good. Light overall toning and scattered spotting consistent with mid-18th-century paper. Strong impression, margins ample.
Faith
Islam
Collection
Houses of Worship
Era
1700 to 1799, Mortier, Picart and the illustrated Bible
Stock no.
f_48104282

View of the Great Mosque Atter Ennabi, Egypt, Norden Copper Engraving 1755

Description:

This elegant copper engraving depicts the Great Mosque Atter Ennabi, shown from across the Nile with sailing boats animating the foreground. The view originates from Frederik Ludvig Norden’s Voyage d’Egypte et de Nubie, first published in Copenhagen in 1755, one of the most influential pre-Napoleonic visual records of Egypt.

Norden’s work is distinguished by its balanced combination of architectural accuracy, landscape composition, and lived experience along the Nile. Unlike later archaeological surveys, this view integrates religious architecture into its natural and social environment, with river traffic, shoreline structures, and vegetation rendered in a calm, panoramic composition.

The engraving was executed after Norden’s original drawings by Marcus Tuscher, whose refined line work lends clarity and depth to the scene. The plate carries a French caption and reflects the Enlightenment-era fascination with Islamic architecture as both monument and living institution.

This subject appeals strongly to collectors of Grand Tour imagery, early Orientalist views, and architectural interiors, and performs well framed as a standalone statement piece.

Condition report:

Light overall toning and scattered spotting consistent with mid-18th-century paper. Strong impression, margins ample.

Framing tips:

Works well with a wide off-white mat and classic gilt or dark walnut frame; also striking in a thin black frame for contemporary interiors.

Technique: Copper engraving

Maker: Frederik Ludvig Norden, after Marcus Tuscher, Denmark, 1755