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Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Houses of Worship
1751 Engraving of Roman Fountain and Church, Fountain of Moses and Santa Maria
Anno Domini MDCCLI1751
£1,220
$1,625 · €1,440
Original print, not a reproduction
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@antiquesacredprints.com) and we will reserve it for you.
- Date
- 1751
- Sheet size
- 16.3 × 27.4 in (41.4 × 69.5 cm)
- Condition
- This piece is in very good condition, with crisp impressions and narrow but clean margins. The paper has minimal signs of aging, ensuring its visual impact. Please study the images carefully.
- Faith
- Christianity
- Collection
- Houses of Worship
- Era
- 1700 to 1799, Mortier, Picart and the illustrated Bible
- Stock no.
- f_43448762
1751 Giovanni Battista Piranesi Engraving, Veduta del Castello dell'Acqua Felice
Description: This exquisite engraving by Giovanni Battista Piranesi, *Veduta del Castello dell'Acqua Felice*, was created in 1751 as part of his monumental series *Vedute di Roma*. Piranesi, a celebrated engraver, printmaker, and antiquarian, was renowned for his masterful depictions of Roman architecture, blending historical accuracy with dramatic flair.
The artwork captures the grandiose Fountain of Moses (Castello dell'Acqua Felice) and the adjacent church of Santa Maria della Vittoria, combining architectural precision with imaginative perspective. Piranesi’s exceptional skill in manipulating light, shadow, and perspective elevates the scene, immersing the viewer in the grandeur of 18th-century Rome. The engraving not only serves as an artistic masterpiece but also as a historical document, showcasing one of the city's most iconic Baroque fountains, constructed to mark the terminus of the Acqua Felice aqueduct.
Piranesi’s meticulous engraving technique and his ability to dramatize architectural elements reflect his lifelong passion for Roman antiquity. His works were highly sought after by Grand Tourists, making them enduring symbols of 18th-century classical revival and Romanticism. This print is a fine example of his artistic and technical brilliance, suitable for collectors of architectural engravings and Roman history enthusiasts.
Condition: This piece is in very good condition, with crisp impressions and narrow but clean margins. The paper has minimal signs of aging, ensuring its visual impact.
Matting and Framing Tips: Use acid-free matting to preserve the engraving’s condition. Opt for a classic black or dark wood frame with a subtle gold accent to enhance its dramatic quality. UV-protective glass is recommended to prevent fading, and proper spacing between the artwork and glass should be maintained. Display in a controlled environment, away from direct sunlight and humidity, to preserve its integrity.
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