
Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.
Houses of Worship
Cathedral Gateway, Chur, Antique Steel Engraving after S. Hodson, circa 1876
Anno Domini MDCCCLXXVIcirca 1876
$335
€300 · £255
Original print, not a reproduction
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns.
- Date
- circa 1876
- Technique
- Steel engraving
- Coloring
- Uncolored
- Condition
- Good. Light age toning; light handling soiling along the edges and a few small spots in the margins. Printed image clean.
- Faith
- Christianity
- Collection
- Houses of Worship
- Era
- 1850 and after, Chromolithographs and devotional prints
- Stock no.
- BG-13194-67
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
An old monk in a dark habit, leaning on a stick, bends kindly over a small girl in this upright steel engraving, as they stand just inside a churchyard gate. The gateway is flanked by two weathered stone piers carrying carved figures of saints and crouching beasts, and a wrought iron gate stands half open beneath a tall arch of ironwork topped by a cross. Behind them lie grave markers under a small wooden roof and the massive stone wall of the church, while a leafy tree spreads over the left side. Two pigeons peck on the path.
The plate is lettered "Gateway of the Cathedral, Coire." Coire is the French name of Chur, the capital of the canton of Graubünden in eastern Switzerland and one of the oldest towns in the country, whose cathedral stands on a terrace above the old town. The drawing is credited to S. Hodson, and the artist's signature with the date 1876 can be seen in the lower left of the image. It was engraved by C. Goodeve and carries the imprint of Cassell, Petter & Galpin of London.
The technique is steel engraving, printed in black ink on wove paper and uncolored. Goodeve's lines give the stone sculpture a rough, time-worn texture and contrast it with the delicate tracery of the ironwork, and the light falling on the path draws the eye to the two figures.
With its gentle human story, it would sit well in a study, a hallway or a guest room, framed in a slim black or dark walnut molding with a cream mat.
Condition: Light age toning, with light handling soiling along the edges and a few small spots in the margins. The printed image is clean.
This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.












