Antique Sacred Prints
Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851
Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, view 2

Close-ups

Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, close-up 1Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, close-up 2Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, close-up 3

Framed and on the wall

Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, shown framedCarved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, shown framed on a wall, true to sizeCarved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Rites of the World

Carved Wooden Lectern at Aosta, Fifteenth Century, Antique Print, 1851

Anno Domini MDCCCLI1851

$215

€190 · £160

Original print, not a reproduction

Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns.

Date
1851
Technique
Chromolithograph
Coloring
Printed in color
Condition
Good. Light age toning, a little darker toward the edges; occasional small spots in the margins. Please see the images.
Faith
Christianity
Collection
Rites of the World
Era
1850 and after, Chromolithographs and devotional prints
Stock no.
BG-12228-4-37
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

This is an original antique chromolithograph, printed in brown and gold tones with touches of red, lettered "(XVe SIÈCLE.) PUPITRE EN BOIS SCULPTÉ. à Aoste." The lectern is shown twice, from two sides. On the left the sloping desk carries a large closed book with gilt corner pieces and a central boss, red ribbon markers hanging below; under the desk a small carved figure plays the bagpipes. The stand is triangular, its faces carved with Gothic blind arcading, pierced ogee arches and crockets, with pinnacles at the corners and a curved base. On the right the desk is seen from behind, its back pierced with tracery, the piper figure facing out.

The caption translates as "(fifteenth century) lectern in carved wood, at Aosta." The running head reads "AMEUBLEMENT RELIGIEUX PL. XI.", church furniture. The credits read "Henri Dufresne, del.", "Chromolith. Lemercier à Paris" and "Kellerhoven, lith.", with "F. Séré direxit" beneath the caption.

Le Moyen Âge et la Renaissance was published in Paris in five volumes between 1848 and 1851. Paul Lacroix, who also wrote as the Bibliophile Jacob, edited the text, and Ferdinand Séré directed the illustrations, which is why his name and the word direxit stand beneath every plate. The work surveys the manners, crafts, sciences and arts of medieval and Renaissance Europe, and its chromolithographed plates record objects held around 1850 in churches, museums and private collections. This plate is from the fourth volume, dated 1851, plate eleven of the section on church furniture.

The double view makes a balanced composition for a single frame.

Condition: Light age toning, a little darker toward the edges; occasional small spots in the margins.

This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.

Ask about this print

We reply by email, usually within one working day.

Your favorites

Saved in this browser. Email the list to yourself to keep it on any device.

We use your email to send this list and, only if you tick the box and confirm, for occasional new arrivals. Every email has an unsubscribe link. Bartele Gallery, the Netherlands.